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Langue cible
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou
Préparation de la traduction…

Texte source

Profilprog (PP): Hello Ryszard thank you for giving us your time to answer our questions R. KRAMARSKI: Hello back, I will always devote my time so gladly to discussions about music. It is my passion! And, of course, I will be very happy to answer your questions. PP: You founded your label in 1998, for what purpose? R.K.: At the beginning, I only wanted to start a recording studio, but right after my winning the Yamaha Instruments competition for the best home-recorded track, I decided to grow my little business into a record label, so that I could possibly release on it my band FRAMAURO's amateur debut album called "Etermedia". I was just curious what was going to happen and if that album would sell? :) It did, and most of its copies were bought by MUSEA in France, and the rest of them by some music companies in Japan. PP: Why the name "Lynx»? Reference to the feline? R.K.: Yes, let me explain the reference! :) Lynx is the Latin word for a bobcat, and because my Polish first name is Ryszard, its popular diminutive form is Ryś (pronounced "rish"), which also means "lynx" or "bobcat" in Polish - therefore, Lynx Music can be interpreted as Music of Ryś! :) There is also the Lynx Constellation in the firmament. So... a little bit of the cosmos and a little bit of the cat! :) PP: After Lynx and Framauro, creation of Millenium, at first for fun or with the intention of going further? R.K.: Well, around that time, Framauro was nothing but a bit of fun for three cousins (meaning: me and my two cousins), yet I quickly started to think more seriously about music - and, in August 1999, we entered the studio as Framauro, but during the recording session, I changed the band's name, and so we eventually left the studio as Millenium. That is how the history of Millenium began, although that first album was still a work of Framauro, as a matter of fact. Quite complicated! :) As for me and the rest of the band, the very real Millenium is born along with our second album "Vocanda", released in the year 2000. PP: Second album out of seventeen without Lukasz Gall, why? R.K.: Yes, that is correct! It all came down to the same problem, as ever. Lukasz was not at all interested to participate in live concerts, to come to rehearsals and to get really involved with all we did. To him, the recording of albums was perfectly enough. And we wanted to play live because that was also what our fans expected. PP: Have you kept in good contact with him? Has he stopped the music? R.K.: Yes, we are in good relationship with each other. We meet up for beer and pizza, every now and then. We parted the best of friends. Lukasz is rather not interested in music, anymore, but I guess that I can sometimes convince him into being a small part of my various projects. :) PP: Why did you create the RKP in the 2010's? To make different music or out of passion? R.K.: For both reasons. Yeah, it was my passion as well as my desire to constantly compose new songs. And I did not want everything to be released only under the name of Millenium. I wished to create a formation that would resemble the style of The Alan Parsons Project - by collaborating with some other musicians and vocalists, by introducing more of melodious pop - yet in progressive environment and arrangements. PP: Can you tell us more about Karolina Leszko and Dawid Lewandowski the new vocalist of Millenium? Regarding Dawid, does Fizbers always exist? R.K.: To make tRKproject really different from Millenium, I had to invent that special something, the music of which could be easily distinguished from Millenium and its very essence. I needed a female voice. Guitarist Marcin Kruczek introduced me to Karolina, and so our collaboration began. Karolina is now a well-known singer in Poland, especially after that moment in her career, when by pure chance she happened to sing together with Michael Bubble, during his concert. I strongly recommend that you should check it out on YouTube (Michael Bubble & Karolina Leszko) :) Many fans,however, are not particularly fond of female vocals in prog-rock (including myself :) ) and that is why, later on, I chose to invite Dawid of Fizbers to my project. I had been watching him develop his vocal skills in the passing years, and at some point, I knew that he was totally ready to join Millenium. I do not know whether Fizbers still exist; but most certainly, Dawid is not their singer. Dawid will not be present, either, on tRK project's new albums. He is now the voice of Millenium. PP: How did you meet Piotr Plonka, one of the very best guitarists in the progressive world? What are these influences? R.K.: When I finished writing the material for the "Vocanda" album in 2000, I felt the need to hire a new guitarist for our band, and it was just then that the drummer suggested Piotr should do it. After the very first rehearsal with him, I knew that we were on the same wavelength. If you ask Piotr who he is most inspired by, he always replies in the foll
Profilprog (PP): Hello Ryszard thank you for giving us your time to answer our questions R. KRAMARSKI: Hello back, I will always devote my time so gladly to discussions about music. It is my passion! And, of course, I will be very happy to answer your questions. PP: You founded your label in 1998, for what purpose? R.K.: At the beginning, I only wanted to start a recording studio, but right after my winning the Yamaha Instruments competition for the best home-recorded track, I decided to grow my little business into a record label, so that I could possibly release on it my band FRAMAURO's amateur debut album called "Etermedia". I was just curious what was going to happen and if that album would sell? :) It did, and most of its copies were bought by MUSEA in France, and the rest of them by some music companies in Japan. PP: Why the name "Lynx»? Reference to the feline? R.K.: Yes, let me explain the reference! :) Lynx is the Latin word for a bobcat, and because my Polish first name is Ryszard, its popular diminutive form is Ryś (pronounced "rish"), which also means "lynx" or "bobcat" in Polish - therefore, Lynx Music can be interpreted as Music of Ryś! :) There is also the Lynx Constellation in the firmament. So... a little bit of the cosmos and a little bit of the cat! :) PP: After Lynx and Framauro, creation of Millenium, at first for fun or with the intention of going further? R.K.: Well, around that time, Framauro was nothing but a bit of fun for three cousins (meaning: me and my two cousins), yet I quickly started to think more seriously about music - and, in August 1999, we entered the studio as Framauro, but during the recording session, I changed the band's name, and so we eventually left the studio as Millenium. That is how the history of Millenium began, although that first album was still a work of Framauro, as a matter of fact. Quite complicated! :) As for me and the rest of the band, the very real Millenium is born along with our second album "Vocanda", released in the year 2000. PP: Second album out of seventeen without Lukasz Gall, why? R.K.: Yes, that is correct! It all came down to the same problem, as ever. Lukasz was not at all interested to participate in live concerts, to come to rehearsals and to get really involved with all we did. To him, the recording of albums was perfectly enough. And we wanted to play live because that was also what our fans expected. PP: Have you kept in good contact with him? Has he stopped the music? R.K.: Yes, we are in good relationship with each other. We meet up for beer and pizza, every now and then. We parted the best of friends. Lukasz is rather not interested in music, anymore, but I guess that I can sometimes convince him into being a small part of my various projects. :) PP: Why did you create the RKP in the 2010's? To make different music or out of passion? R.K.: For both reasons. Yeah, it was my passion as well as my desire to constantly compose new songs. And I did not want everything to be released only under the name of Millenium. I wished to create a formation that would resemble the style of The Alan Parsons Project - by collaborating with some other musicians and vocalists, by introducing more of melodious pop - yet in progressive environment and arrangements. PP: Can you tell us more about Karolina Leszko and Dawid Lewandowski the new vocalist of Millenium? Regarding Dawid, does Fizbers always exist? R.K.: To make tRKproject really different from Millenium, I had to invent that special something, the music of which could be easily distinguished from Millenium and its very essence. I needed a female voice. Guitarist Marcin Kruczek introduced me to Karolina, and so our collaboration began. Karolina is now a well-known singer in Poland, especially after that moment in her career, when by pure chance she happened to sing together with Michael Bubble, during his concert. I strongly recommend that you should check it out on YouTube (Michael Bubble & Karolina Leszko) :) Many fans,however, are not particularly fond of female vocals in prog-rock (including myself :) ) and that is why, later on, I chose to invite Dawid of Fizbers to my project. I had been watching him develop his vocal skills in the passing years, and at some point, I knew that he was totally ready to join Millenium. I do not know whether Fizbers still exist; but most certainly, Dawid is not their singer. Dawid will not be present, either, on tRK project's new albums. He is now the voice of Millenium. PP: How did you meet Piotr Plonka, one of the very best guitarists in the progressive world? What are these influences? R.K.: When I finished writing the material for the "Vocanda" album in 2000, I felt the need to hire a new guitarist for our band, and it was just then that the drummer suggested Piotr should do it. After the very first rehearsal with him, I knew that we were on the same wavelength. If you ask Piotr who he is most inspired by, he always replies in the foll
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Détecter la langue
Anglais
Langue source
Détecter la langue
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou
Langue cible
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou

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Détecter la langue
Anglais
Langue source
Détecter la langue
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou
Langue cible
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou
Traduction…
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Détecter la langue
Anglais
Langue source
Détecter la langue
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
Macédonien
Maïthili
Malaisien
Malayalam
Malgache
Maltais
Maori
Marathi
Meitei (Manipuri)
Mizo
Mongol
Néerlandais
Népalais
Norvégien
Odia (Oriya)
Oromo
Ouïgour
Ouzbek
Pachtô
Panjabi
Persan
Philippin
Polonais
Portugais
Quechua
Roumain
Russe
Samoan
Sanscrit
Sepedi
Serbe
Sesotho
Shona
Sindhî
Slovaque
Slovène
Somali
Soundanais
Suédois
Swahili
Tadjik
Tamoul
Tatar
Tchèque
Telugu
Thaï
Tigrigna
Tsonga
Turc
Turkmène
Twi
Ukrainien
Urdu
Vietnamien
Xhosa
Yiddish
Yorouba
Zoulou
Langue cible
Toutes les langues
Afrikaans
Albanais
Allemand
Amharique
Anglais
Arabe
Arménien
Assamais
Aymara
Azéri
Bambara
Basque
Bengali
Bhodjpouri
Biélorusse
Birman
Bosniaque
Bulgare
Catalan
Cebuano
Chichewa
Chinois (simplifié)
Chinois (traditionnel)
Cingalais
Coréen
Corse
Créole haïtien
Croate
Danois
Divéhi
Dogri
Espagnol
Espéranto
Estonien
Ewe
Finnois
Français
Frison
Gaélique (Écosse)
Galicien
Gallois
Géorgien
Grec
Guarani
Gujarati
Haoussa
Hawaïen
Hébreu
Hindi
Hmong
Hongrois
Igbo
Ilocano
Indonésien
Irlandais
Islandais
Italien
Japonais
Javanais
Kannada
Kazakh
Khmer
Kinyarwanda
Kirghiz
Konkani
Krio
Kurde (Kurmandji)
Kurde (Sorani)
Laotien
Latin
Letton
Lingala
Lituanien
Luganda
Luxembourgeois
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